ELEPHANT REVIVAL

97.3 KBCO Presents

ELEPHANT REVIVAL

The Deer

Thu Nov 30

Doors: 7:00 pm / Show: 8:00 pm

Boulder Theater

$35.00 - $40.00

This event is all ages

Ages 15+ without a parent

All tickets are non-exchangeable and non-refundable following purchase

Listed price does not include tax and service charge

Price is the same online, over the phone, or in the Box Office.

NO BAGS

Elephant Revival
Elephant Revival
A haunting sound, at once evocative and mysterious, ushers in Petals, the latest album by Elephant Revival. Notes rise and suffuse the silence; are joined by a deep bass drone, a quiet pulse of cello and a percussive tick: daybreak made music.

That first sound on the lead track, "Hello You Who," is a steel guitar, and its cinematic swell foreshadows the exploration of new territory by this beloved Rocky Mountain ensemble. A new band member and the introduction of instruments like the pedal steel and the cello into their already impressive treasure trove of strings and percussion are just the beginning. Petals embodies a deepening, as the quintet dives into themes of loss and rebirth, time and memory, love unbound by body or farewell. "Hello you who moves with me in a dance/Hello you who moves me like the sea/…Who loves me Love loves me just to be." This hello is both a celebration of unconditional love and an invitation to join Elephant Revival in its wayfaring.
The death of a close friend having left its indelible mark on the band, many of the songs on Petals represent what guitarist Daniel Rodriguez calls "an honoring and a coping." But this is not an album about despair or darkness; it's a thanksgiving and a prayer for what endures and returns. "She thanks the sky, and she walks the earth/…To the broken-hearted, to the burdened, too/To everyone, peace tonight" ("Peace Tonight"). This idea is embodied in the very name Elephant Revival: moved by the separation and subsequent death of three elephants at the Chicago zoo, bass and mandolin player Dango Rose was inspired to busk in front of what was once their enclosure. Not just a gesture, but a true endeavor to create meaning and grace from loss. Petals, the band's fourth album, is, in fact, a revival.

As ever, Nature is both a real and metaphorical touchstone in Elephant Revival's work, from the petals pressed into the book of memory in the title track ("These petals intended for giving release"), to the seasons spinning through death and rebirth in "Season Song." There are intimations too, of the ominous vulnerability of Nature to our darker impulses. In "Raindrops," Bonnie Paine sings, "Raindrops on the rooftops he said/Just stop and listen/Constant as the earthquakes." She is both warning of the real effects of fracking and reminding us that a remedy may lie in deep listening—to each other and to the earth itself. The band's commitment to community and the environment remains at the core of their music.

Elephant Revival's music maintains its roots in American and Celtic songcraft, but on Petals, they achieve a compositional maturity that in moments can evoke the modern classical ensemble. Spare, almost conversational strings punctuate the rhythmic momentum in songs like the title track and the almost archetypically stark Celtic narrative, "Furthest Shore," a continuation of the story told in the song "Currach" from their first 2008 self-titled release. The icy drama of the North Sea inhabits those percussive strings and resounding drums. This kind of intensity recurs in other songs, like "When I Fall," a Dango Rose-penned shout-out for transcendence through trial, whose unison power chorus brings to mind Pink Floyd's The Wall.

Passion arises from compassion on this album; tenderness and wildness go hand in hand. Dan Rodriguez' voice on wholehearted folk songs like "On and On" and "Home In Your Heart" is a gentle counterpoint to Paine's vocal intensity, and the songwriting overall describes a wide arc. Just follow Bridget Law's expressive fiddle through the course of the album to hear the moan of the blues, the lyricism of the folk ballad, the elegant bones of the chamber piece, the bluegrass punch. All the earthy rhythms, eclectic influences and the rich instrumental brew that Elephant Revival fans cherish are here. But eclecticism, though a key feature of their sound, has never been the point. For these multi-instrumentalists, these singers and writers, sound and song serve one another: the play between instrumentation, composition, emotion and restraint is an organic unfolding. Paine, for example, has never recorded or performed on the cello before this album, but she's written songs on it for years, so if her throaty cello somehow sounds like a deep extension of her voice, it is. And if new band member Charlie Rose's magnetic pedal steel conjures ghosts—of love, of landscapes—it's because Petals is haunted by those things.

Elephant Revival's is the music of connection—kin-folk—and the message of Petals, their most intimate album to date, is not how life is about loss, but rather how much life there is in loss, how much potency, how much love. The ghost of the beloved in the final track "Close As Can Be" is not, after all, far away. "…I feel you near/You're lifting the leaves/Saying to me/We'll be close as can be." The hello of the first song has gone on a musical odyssey and found in the end, in goodbye, its mirror image: the promise once more of unending and unconditional love.
The Deer
The Deer
With the sort of ingenuity you might expect to come out of Austin, TX, The Deer encompasses the innovation of the modern indie-folk revival and the cross-pollination of Austin’s diverse music scene. Described as transcendental Texas folk and stargaze surf-western, The Deer creates psychotropic soundscapes and tranquil, vivid dream-pop. In 2016’s release, Tempest & Rapture, The Deer marry their brand of moody Americana with rapturous psychedelia, like two wings of one soaring bird. What began as the solo recording project of singer/songwriter Grace Park (The Blue Hit), The Deer formed its core membership in 2012 after the release of An Argument for Observation under the band name Grace Park & The Deer. For their second album, On the Essence of the Indomitable Spirit (2015), their name was shortened to The Deer to represent the cohesive collaboration between all of the artists in the band, and because the group especially identified with deer as a symbol of protective guidance. Their music is like a beacon in the dark wilderness: shining of pure melodies, vivid images, and strong musicianship in a world of vapid ditties.

Original members include upright bassist/songwriter Jesse Dalton (MilkDrive), guitarist/sound engineer Michael McLeod (Good Field, Richard Linklater film composer), drummer/pianist Alan Eckert (Dimitri’s Ascent), and Park. Together they combine the Southern Gothic soul they’ve had all along with new cross-genre inspiration: analog tape and reverb effects by engineer/assistant producer Grant Johnson, vocals and piano by Roger Sellers (Bayonne), pedal steel by Lloyd Maines, as well as the expert string stylings of both Dennis Ludiker (Asleep at the Wheel) and The Deer’s newest member, Noah Jeffries (MilkDrive, South Austin Jug Band), who adds orchestration to live shows. With Tempest & Rapture, The Deer has created a dynamic collection of songs ranging between the blissful and euphoric to the dark and the dangerous. Rooted in surreal folk and Southern gothic as much as transcendental surf-rock, The Deer moves fluidly between genres, eliciting emotion as varied and surprising as Tempest & Rapture implies.
The Deer have played Austin’s historic Moody Theater and the Legendary Stubb’s, as well as festivals like Kerrville Folk Festival, Old Settler’s Music Festival, Utopiafest, and Oregon Country Fair. Members have shared the stage with Alejandro Escovedo, Peter Rowan, Tony Rice, Tim O’Brien, and Dana Falconberry. Their co-bill roster includes Elephant Revival, Trout Steak Revival, Hot Buttered Rum, Jeff Austin, and more. They are currently writing music for their upcoming fourth album to be released in the late spring of 2018.
Track their tour schedule for a concert near you.
Venue Information:
Boulder Theater
2032 14th Street
Boulder, CO, 80302
http://www.bouldertheater.com/