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Bela Fleck and the Flecktones

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Join us for an evening with Bela Fleck & The Flecktones....the original line up!

Béla Fleck is often considered the premier banjo player in the world. A New York City native, he picked up the banjo at age 15 after being awed by the bluegrass music of Flatt & Scruggs. While still in high school he began experimenting with playing bebop jazz on his banjo, mentored by fellow banjo renegade Tony Trischka. In 1980, he released his first solo album, Crossing the Tracks, with material that ranged from straight ahead bluegrass to Chick Corea’s “Spain.” In 1982, Fleck joined the progressive bluegrass band New Grass Revival, making a name for himself on countless solo and ensemble projects ever since as a virtuoso instrumentalist. In 1989 he formed the genre-busting Flecktones, with members equally talented and adventurous as himself.

“The banjo sheds its image as the quintessential American instrument to reveal a symbol of deep African heritage and the collective wail of the European slave trade (the film’s title derives from this heartbreaking historical chapter).” - Austin American Statesman

Just in case you aren't familiar with Béla Fleck, there are some who say he's the premiere banjo player in the world.. Others claim that Béla has virtually reinvented the image and the sound of the banjo through a remarkable performing and recording career that has taken him all over the musical map and on a range of solo projects and collaborations. If you are familiar with Béla, you know that he just loves to play the banjo, and put it into unique settings.

Béla put several musical sounds together with his banjo, a string quartet, his Macintosh computer and also the more jazz based combo. Howard and Victor signed on for the concert, but the group still lacked a drummer. The search was on for an unusual drummer/percussionist. Victor offered up his brother Roy Wooten, later to become known as FutureMan. Roy was developing the Drumitar (Drum - Guitar), it was then in its' infancy. A midi trigger device, the drumitar allowed FutureMan to play the drums with his fingers triggering various sampled sounds. The first rehearsal held at Béla's Nashville home was hampered by a strong thunderstorm that knocked the electricity out for hours. The four continued on with an acoustic rehearsal and the last slot on the TV show became the first performance of Béla Fleck and the Flecktones.

Next came the self-titled CD, which Béla financed himself. The recording attracted the attention of the folks at Warner Brothers Records. It was released in 1990, dubbed a"blu-bop" mix of jazz and bluegrass, and soon became a commercially successful disc. The album was Grammy nominated, and their second recording "Flight of the Cosmic Hippo" followed suit. Howard Levy toured and recorded with the Flecktones till the end of 1992. After several years as a trio and touring with special guests, saxophonist Jeff Coffin joined the Tones. Famed for a non-stop touring schedule, the Flecktones have reached more than 500,000 audience members yearly from 2001 on.

Still releasing albums and touring, the Tones have garnered a strong and faithful following among jazz and new acoustic fans. They have shared the stage with Dave Mathews Band, Sting, Bonnie Raitt and the Grateful Dead, among many others, made several appearances on The Tonight Show in the Johnny Carson days and the Jay Leno days, as well as Arsenio Hall, and Conan O'Brian. Béla also appeared on Saturday Night Live and David Letterman's show as well.

Although the first Flecktones albums were created live-in-the-studio, the group went on to experiment with overdubs and guest artists on later albums, with contributions from artists as diverse as Chick Corea, Bruce Hornsby, Branford Marsalis, John Medeski, Andy Statman, the Alash Group and Dave Matthews. The Flecktones went on tour with Dave Matthews Band in 1996 and 1997, and Fleck is featured on several tracks on DMB's 1998 album "Before these Crowded Streets." In 2003, Béla Fleck & the Flecktones released the landmark three-disc set "Little Worlds" simultaneously with a highlights disc entitled Ten From Little Worlds.

In 2006 the band released The Hidden Land, which won the Grammy for Best Contemporary Jazz Album in 2007.

In 2008, Jingle All The Way, the band's holiday album was released, and in 2009 it was voted best Pop Instrumental Album at the Grammies.

Any world-class musician born with the names Béla (for Bartok), Anton (for Dvorak) and LÈos (for Janacek) would seem destined to play classical music. Already a powerfully creative force in bluegrass, jazz, pop, rock and world beat, Béla at last made the classical connection with "Perpetual Motion", his critically acclaimed 2001 Sony Classical recording that went on to win a pair of Grammys, including Best Classical Crossover Album, in the 44th annual Grammy Awards.

(Collaborating with Fleck on "Perpetual Motion" was his long time friend and colleague Edgar Meyer, a bassist whose virtuosity defies labels and also an acclaimed composer. In the wake of that album's release, Fleck & Meyer came up with the idea of a banjo/bass duo, which they developed and refined during a concert tour of the US. Live recordings from that tour are the basis for their latest Sony Classical recording "Music For Two" which also includes a bonus DVD featuring a documentary film by Sascha Paladino (Fleck's brother) that captures the duo's collaboration and crafting of repertoire while on tour. Béla and Edgar also co-wrote and performed a double concerto for banjo, bass and the Nashville Symphony, which debuted in November 2003.

The recipients of Multiple Grammy Awards going back to 1998, Béla Flecks' total Grammy count is 14 Grammys won, and 30 nominations. He has been nominated in more different categories than anyone in Grammy history.

http://www.flecktones.com/