The Boulder Theater Presents
Sat Jul 1
Doors: 7:00 pm / Show: 8:00 pm
$31.00 - $35.00
This event is all ages
Ages 15+ without a parent
All tickets are non-exchangeable and non-refundable following purchase
Listed price does not include tax and service charge
Price is the same online, over the phone, or in the Box Office.
Conor Oberst has partnered with Plus 1 so that $1 from every ticket sold will go to support Planned Parenthood and their work delivering vital reproductive health care, sex education, and information to millions of women, men, and young people in the US and worldwide
In Fall of 2015, and after more than a decade of living in New York City, Oberst returned to his hometown of Omaha, Nebraska, somewhat unexpectedly. Like John Lennon so famously said: “Life is what happens to you while you’re busy making other plans.” After canceling a tour with Desaparecidos due to serious health issues, Oberst returned home to recuperate. The musician was unexpectedly back home at loose ends and faced with some long, cold, claustrophobic winter nights, with nothing really to do. Such conditions were the same as those that contributed to the very early songs he penned in his boyhood bedroom. This resulted in the anxious poetry, heightened self-awareness, and revealing confessionals that catalogued his doubts, demons, and nightmares.
“It wasn’t premeditated at all. I don’t know if you know what Omaha is like in the winter, but it’s just paralyzing. You’re stranded in the house. Every night I was staying up late, making a point to play the new piano I had just bought and watching the snow fall outside the house. Everybody would be asleep and I would just go into this one room, make a fire, and play all night. In November I had a whole pick-up truck full of firewood delivered and I thought, ‘I’m never going to run out of it.’ Before I knew I had gone through half of the firewood and I had five songs. By February I had burned through it all, and I had 15 songs. I had just spent the whole winter making fires and playing music.”
Making and playing music has always been a healing balm for the sometimes troubled musician. And this time it especially seemed important. It was if he was writing himself back to sanity. Back to understanding what is really important and has meaning for him. And in the same kind of immediacy with which the songs were written, Oberst realized he needed to record them right away, in order to capture the kind of raw intensity and rough magic behind them. When Oberst wrote and recorded the songs, with just voice, piano, guitar and harmonica – he intended to ultimately record them with a full band. In the midst of putting together that band – upstate New York’s The Felice Brothers plus the legendary drummer Jim Keltner (Neil Young, Jackson Browne, George Harrison, Bob Dylan, John Lennon, and many more) – the passionate responses Oberst was getting to those first solo recordings, from friends and colleagues, encouraged him to release the songs as-is, in their original sparse form, released in October 2016 as Ruminations. Pitchfork called it “a record like none other in Oberst’s catalog, stunning for how utterly alone he sounds,” and the UK’s Sunday Times called it, “The rawest album yet from the forever troubled one-time voice of a generation. Political and very, very personal,” saying Oberst is “one of the best songwriters around.”
Meanwhile, Oberst simultaneously moved ahead with his plans to record with the band, heading to the famed Shangri-la Studios in Malibu to record Salutations – co-produced with Keltner and engineered by long-time musical compadre Andy LeMaster. Guest contributions come courtesy of Jim James, Blake Mills, Maria Taylor, M Ward, Gillian Welch, Gus Seyffert, Pearl Charles, Nathaniel Walcott, and Jonathan Wilson.
Salutations includes full band versions of the ten songs from Ruminations, plus seven additional songs, some from an additional session at
Five Star Studios in Echo Park in fall 2016. Oberst says of the Salutations sessions: “Jim (Keltner) was really the captain of the ship and the spiritual leader of the project. We leaned heavy on his fifty-plus years of musical insight to get us to where we needed to be. He brought such depth and dignity to the proceedings that made everyone else involved rise to the occasion. It was a true stroke of luck that he got involved when he did.”
Kasher will be touring as a five-piece band in support of No Resolution, with instrumentation including cello, violin, vibraphone, keys, bass, drums, and trumpet. Kasher and his band are known for engaging live shows, balancing his irreverent wit and charm against a back drop of songs that range from somber beauty to raucous revelry. He pulls songs from the new and amazing No Resolution and his previous solo albums, The Game of Monogamy and Adult Film. There’s often a few of his songs from his other bands, The Good Life and Cursive, woven into the mix as well!
Kasher is known for pushing musical boundaries throughout his career – whether he’s switching up sounds between his bands and solo LPs, crafting intricate concept albums, or transforming songs originally conceived as a soundtrack for his self-penned screenplay into a standalone album (The Good Life’s 2007 release Help Wanted Nights). No Resolution is his most cinematic creation, a moving and cathartic collection of soundscapes that feels more like a suite of movements than a standard pop album, complete with instrumental breaks conjoining the nine songs. Fittingly, the 15 pieces will be featured in Kasher’s directorial debut film of the same name, which he also wrote, to be released later this year. Across the album’s strong story, the characters – an engaged couple on the brink of a break up – grapple with the specific and the broad, including the restlessness of adulthood and smothering external pressures; relationships in various states of transition and the walls built within them; distrust, indecision, and despair; and the existential anxiety that drives a deep need to leave a mark on the world. Filled with lush arrangements that include piano, vibraphone, organ, trumpet, synths, and various strings, the album is some of the most beautiful and finely orchestral music from Kasher, yet it is also his most subdued and understated work.
2032 14th Street
Boulder, CO, 80302